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The event not only celebrated the turning of pages on a ledger but also 10 years of survival for this most independent of independent labels. I arrive in time to experience the extreme noise karaoke onslaught of Rank Sinatra—a dapper chappy with long dreads and shabby tails amiably screaming and growling like a metal frontman over some old time favourites of Frank and friends.
Lieutenant Colonel Spastic Howitzer follows, literally blasting us away with his saxophonic, digitally enhanced version of Zorba the Greek and other deconstructed marvels. Boy-girl band, Naked on the Vague, seem almost a little too digestible with their post punk ditties but the way they stab and bang their instruments has a kind of charm.
By the time Garry Bradbury, master of the epic electronic, plays it appears either the crowd is getting rowdy or the PA is dying, or a bit of both. The financial year is seen in with a video countdown collage of receipts, tax forms and other bureaucratic ephemera, and of course party poppers and streamers. The label covers a schizophrenic mix of styles ranging from electronica, hiphop, folk and noise to some completely ineffable genres.
Its dodgy wiring amplified any noise made in the van via the stereo. After spontaneous driving concerts he decided to record it. But no one seemed to want to put it out But 2 years later Damian released the Hiss album.
It was a bit of an inspiration to me so I forked out the money and put out A Kombi and got some really good feedback. Banana Fish magazine, which is like the noise music bible, wrote back to me for an interview and ended up doing a 12 page spread. So I decided to make a proper go of the label. At that point Swerve approached me I was in a noise band called the Burning Spastics. In the 90s we used to play at the Waterloo Tavern to about 3 people on average.
And then we put out Alternahunk. It was around that time that we started the brokerage LA: Initially we just wanted to consolidate labels. I guess news of that spread and more people started asking us and then we started doing things overseas. The CD and DVD brokerage side of the business has come to offset the label side of the business so that we feel we can take more risks in releasing music we are interested in.
As a label I am more interested in things nobody knows about, bringing new things into the world. What attracts you to the artists you release? LA: Acts that have a certain sense of otherness to them. I like things that sit outside movements, or even if they are in a movement they are a step aside of it.
How much does shock value play in it—what is the ratio of shock value to sound? LA: Depends if it works with the act. LA: Quite disgusting debauchery. I just thought it was funny.
The reason I was attracted to Suicidal Rap Orgy is because there was nothing else like it. S: The most shocking thing at any of our gigs is the audience. People get so fucked up Why do you think your style of artists do that? In terms of experimental or new musics in Australia, we put on the only shows that are highly visually entertaining and I guess that, as well as the audio being really good, brings a new dimension to the way they react to a show.
I always try and book colossal line-ups. A gig is a festival to me. S: A CD-R label as well. Instead of doing runs of the more accessible music that we release laughs we could do short order CD-R runs. I want to make more films Really good songs. S: Making it really human. As an afterthought, I emailed the lads about how they saw the future of music, with the rapid development of MP3 download culture. S: I think downloadable MP3s are probably only around years off as far as taking the majority market share.
But during the transition I think people are going to be doing shorter runs at home on CD-R to begin with and moving up to the minimum for pressed CDs. This is for the market we work in, which is pretty small.
Some people will always want a tangible product but that mindset is quickly disappearing with a new generation of kids raised on downloads. The future of music is, as always, live music.
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Take your MP3 Player, plug your headphones, and enjoy the world! There are some great travel songs out there for travel inspiration. We are not just listing songs in English, we are also including travel songs in French, German, and Spanish. Find the.
Each day, Riley Walz brings you an instrumental, catchy song for free. Subscribe now! New episodes will be published every morning, so stay tuned. This means there isn't enough episodes to provide the most popular episodes.
Best 17 Backpacker Songs Ever – Alternative Travel Songs for your Playlist
In this business, there are two subjects that will boost your page views like nothing else: Game of Thrones and Taylor Swift. One of them is a massive, multi-million-dollar enterprise filled with violence and betrayal, and the other airs on HBO. And, outside the legions of fans who eat up everything she puts out, no take on her ever stays solid for long. She was a precocious teenager, and the ultimate embodiment of white privilege. And yet, unlike Madonna or Bowie, Swift got through the first 11 years of her career without any major reinventions. For , she embraced feminism and threw away the last vestiges of her Nashville sound, but those were basically just aesthetic changes. Swift — or at least the version of Swift on her albums — has remained largely the same person since her debut: a thin-skinned, bighearted obsessive, with a penchant for huge romantic moments. Listen to too many and you might ache again at the nagging feeling that those stories of yours have all been a bit uneventful and drab by comparison. What sort of real life can stand up against fantasies like these? But I do recommend sampling as many of these songs as you see fit.
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The event not only celebrated the turning of pages on a ledger but also 10 years of survival for this most independent of independent labels. I arrive in time to experience the extreme noise karaoke onslaught of Rank Sinatra—a dapper chappy with long dreads and shabby tails amiably screaming and growling like a metal frontman over some old time favourites of Frank and friends. Lieutenant Colonel Spastic Howitzer follows, literally blasting us away with his saxophonic, digitally enhanced version of Zorba the Greek and other deconstructed marvels. Boy-girl band, Naked on the Vague, seem almost a little too digestible with their post punk ditties but the way they stab and bang their instruments has a kind of charm.
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Or browse results titled :. Streaming and Download help. Report this track or account. Philharmonics by Agnes Obel. Tomb by Angelo De Augustine. On his latest album, Angelo De Augustine pairs deceptively light arrangements with emotionally heavy subject matter.
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Стены туннеля начали обретать форму. И сразу же из-за поворота выехала миниатюрная машина, ослепившая ее фарами. Сьюзан слегка оторопела и прикрыла глаза рукой. Ее обдало порывом воздуха, и машина проехала мимо. Но в следующее мгновение послышался оглушающий визг шин, резко затормозивших на цементном полу, и шум снова накатил на Сьюзан, теперь уже сзади.
Джабба смотрел прямо перед собой, как капитан тонущего корабля. - Мы опоздали, сэр. Мы идем ко дну. ГЛАВА 120 Шеф отдела обеспечения системной безопасности, тучный мужчина весом за центнер, стоял неподвижно, заложив руки за голову. Он не мог поверить, что дожил до подобной катастрофы.
У дверцы лифта есть код, - злорадно сказала Сьюзан. - Ну и проблема! - засмеялся Хейл. - Думаю, коммандер мне его откроет.
Итак, каков следующий шаг. Он решил подумать об этом через минуту. Сейчас ему надо было совершить давно уже откладываемую прогулку в туалетную комнату.
Неужели Хейл никогда не слышал о принципе Бергофского. - Вот что нам надо сделать.
Я могу прямо сейчас отвести вас в участок… - Беккер выразительно замолчал и прищелкнул пальцами. - Или?. - спросил немец с расширившимися от страха глазами. - Или мы придем к соглашению.
Даже если АНБ расскажет о ТРАНСТЕКСТЕ, Танкадо им уже ничем не поможет. Стратмор молчал. Положение оказалось куда серьезнее, чем предполагала Сьюзан. Самое шокирующее обстоятельство заключалось в том, что Танкадо дал ситуации зайти слишком. Он должен был знать, что случится, если АНБ не получит кольцо, - и все же в последние секунды жизни отдал его кому-то.
Но единственный человек, которому известен ключ, мертв. - А метод грубой силы? - предложил Бринкерхофф. - Можно ли с его помощью найти ключ. Джабба всплеснул руками.